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Sample text

6 The Order of Words I think we can see in most Greek literature before Plato, more especially in Homer, in the pre-Biblical cultures of the Near East, and in much of the Old Testament itself, a conception of language that is poetic and "hieroglyphic," not in the sense of sign-writing, but in the sense of using words as particular kinds of signs. In this period there is relatively little emphasis on a clear separation of subject and object: the emphasis falls rather on the feeling that subject and object are linked by a common power or energy.

First, it is a figure of speech in which an image is "put for" another image: this is really a species of metaphor. Second, it is a mode of analogical thinking and writing in which the verbal expression is "put for" something that by definition transcends adequate verbal expression: this is roughly the sense in which I use it. Third, it is a mode of thought and speech in which the word is "put for" the object it describes: this corresponds more or less to my "descriptive" phase. There are no rights and wrongs in such matters, but it seems to me useful to separate both the language of immanence, which is founded on metaphor, and the language of transcendence, which is founded on metonymy in my sense, from descriptive language.

In his poetry the distinction between figured and literal language hardly exists, apart from the special rhetorical showcase of the epic simile already mentioned. With the second phase, metaphor becomes one of the recognized figures of speech; but it is not until the coming of a different concepcion of language chat a tension arises between figurative and what is called "literal" meaning, and poetry begins co become a conscious and deliberate use of figures. In the third phase chis tension is often very sharp.

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Antenna-Radio Propagation Part 2 - Canadian MIL TM


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